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TV series One day there will be love online

This is a kind story about a girl Anya who believed in true love, kindness, and was a person who was always ready to help. She was born in a small provincial town. Anna is a dreamy girl looking for beauty in everything around her - in the singing of birds, rustle of foliage, light beating of raindrops. Her heart is open to all people to do good. Soon, Aunt Masha, who raised Anya, dies, and the girl is left completely alone. The girl moves to Moscow, finding herself in a completely alien world. After her home, where she did not see anger and betrayal, she finds herself in real life, where she must go to betray her values ​​and principles, and go the simple way, or act in spite of everyone, but keep her essence in herself.The author's opinion is that such a choice falls to everyone in life. Anya very quickly finds enemies in Moscow, but also gets to know the person who should become her love. Anya knew that this person should appear in her life, because even as a child she had a dream with his participation. In Moscow, Anya sees a TV show where she recognizes her future lover. But who would have thought that this is a wonderful man, already a famous and popular actor. Anya could not even think that someday such a person would be able to see her, let alone fall in love, but the turns of fate are unpredictable ...

REVIEWS

Good time of the day! On vacation, I got sick and for the sake of having a pleasant time and a quick recovery, I settled down comfortably in front of the TV and chose the Russian melodrama “Once there will be love” from a huge number of proposed television series. I liked the title, then the cast. I had no idea what I was doing when I started watching it. But behind the TV series on the big channel there should be a social order, as in its time the American endless television series Santa Barbaro was partially financed by an analogue of our Ministry of Health. And with literality inherent in Americans, like a moronic refrain “WE NEED TO TALK ABOUT THIS!”, “WE ARE FAMILY!”, “I UNDERSTAND YOU!” etc. In those post-perestroika times, it was rather wild to watch where some Mason yelled at his father for two episodes and in the third he suddenly pulled himself together and offered to discuss. Then, as with us, with such an intensity of passions, a scuffle would have already begun in the third minute, and by the twentieth a stormy booze with tears and forgiveness. It is from this angle that I propose to look at the product under discussion. So, what does the TV series TEACH us for ?! There are no sane people around Anechka Ogareva. From the first episode, I saw how a young nineteen-year-old girl, the older generation, talking about their problems, they throw their problems, I would say problems, on this fragile little man, And it's not surprising that a rural girl is trying to solve these problems. And those around them are surprised and nervous, why, they themselves provoked such actions…. Initially, I had the opinion that the girl is a simple, bright, honest and purest person, this is the person with whom it is simply comfortable and calm and it is not clear why. You watch the TV series and you just can't understand how such a girl could get involved in this crazy fervor of operations. And there is no such comfort and purity from this personality…. Is there Christian humility behind the character of Anyutka ?! In my opinion, and did not walk close. Then where does it come from what she should teach us ?! The impression was that during the course of the series this concept changed several times, at the same time so strikingly that it does not fit at all into the stages of growing up and made "eyeliners". So, that she can teach, perhaps, only unbending obstinacy and monogamy. It might be worth it. But in fact, the impression arose that the authors wanted to tell us that she was a kind of MIRACLE-CARRIER of some special SUPER TRUTH! A sort of mixture of popular tolerance and forgiveness on the verge of modernized foolishness. Only after all, and this is mixed in such a fountain of children's fantasies in half with erupting complexes of self-assertion and becoming. The wonderfully found texture of Anna Popova has been completely trampled and worn out by scenario delights, but it's a pity. Such a sweet, young and pure smile, such radiant eyes! And at the exit, for what ?! An illustration of how to hammer nails with microscopes? In the television series, there are practically no real assessments of the situation between fathers and mothers and, in general, relationships among generations. Mothers are without exception hysterical, mentally unhealthy, or hens are hens with difficulties in intergenerational relationships. And it is understandable that it is not a standard of behavior, but still there should be joy, as it can be worse. ... The explosion of pregnancies and parenting issues are shown in such a way that it remains only to be surprised that with such behavior and actions, in general, there are adequate people in the world whom we see around us. Again "by contradiction", to please us that not everything is so awful here ?! How will we solve the demographic problem ?! And I, as a woman, would like to see at least a few interesting men, at least close characteristic and worthy interesting and rather extraordinary female characters. At the end of the series, only Mikhail Kalinin is remembered, who looks and behaves like a man and with dignity. Almost all the rest are either weak-willed conformist mattresses, or hysterical teenagers who have not grown up. That even begins to command respect unprincipled and ugly villain Klimashevsky. It is disgusting to even remember the longed-for hero of Anechka's girlish dreams, the "star Kolenka", a hysterical, twitchy, worthless, inflated neurasthenic whose male only trousers and steroid muscles. Here is the reward for the girl! This, dear sirs, is not a reward, but YARMO is unknown for what sins. And, in the end, what simply plunged into fear. A large number of protagonists, educated aristocratic personalities. Well, why do we need to look at constantly worrying actors. They do not know how to eat at all. They cannot eat like people, not like pigs. Chomp, grunt, squelch disgusting to the core. It’s not in vain that we’ve been told throughout our childhood “I’m deaf and dumb when I eat” But it’s not beautiful to talk with a full mouth, to chew with an open mouth. What we should hear while sitting at the dinner table is certainly not what I described above. This is not the only movie in which I see this. Where is the culture of eating? Children cannot be taught to behave properly at the table after such films. As a result, practically no assessments, only a persistent hostility to public melodrama. It is sad that famous good actors agree to such stupid roles. Apart from disgust, this series did not cause any more feelings in me. I do not recommend watching.


Sometimes you want to see something really good. And when you are also sick, when there is nothing to do, then as luck would have it, it is impossible to find a good series. But then I came across this. Well, I will try to soberly assess the work done by the authors. The logic of this series is out of the ordinary. I understand that melodramas should always be a little confusing and sad, but here sadness is presented mixed with endless stupidity, protractedness and a complete lack of fantasy. But let's think about whether the authors should be scolded for such shoals? To be honest, nobody used to care how long Santa Barbara lasted and how often this project was used instead of going to a psychologist. The Americans were able to show in that series that they are a real family, although the project was, frankly, not a fountain. It was in Barbara that we were shown for the first time how people communicate with each other in a melodramatic genre. Phrases like "We need to talk", "I understand you", "why are you avoiding the answer" and so on - it's all from there. Now the stamps of these phrases are a little ... strange. well, is it really impossible to come up with something more varied. . I soberly assess the requirements and logic of the series genre, especially if the series is from the series of social melodrama. Therefore, it makes no sense to criticize or scold the poor fantasy of the screenwriter, the protractedness and stupidity of endless action. In those post-perestroika times, it was rather wild to watch where some Mason yelled at his father for two episodes and in the third he suddenly pulled himself together and offered to discuss, whereas in our country, with such a heat of passion, in the third minute a scuffle would have already begun, and by the twentieth violent drunkenness with tears and forgiveness. With a reference to that project, you need to look at this one too. True, it is difficult to understand what this motion picture can teach us. I would not say that she is incredibly good.On the contrary - it has sides that repel the viewer from the very first minutes of viewing and make them wildly catch facepalms, pardon my broken Internet language. The plot is built around a heroine named Anya. Anya Ogareva herself is a strange girl, and she also finds herself in a society of incredibly strange people, among whom there are no adequate ones at all. At the time of the beginning of the series, she was all nineteen, everyone around is adults, and she is still so small. But at the same time, adults, meeting this girl, begin to blame her with a heap of their problems, which, in principle, we usually keep inside ourselves or discuss with loved ones. And a village simple girl, with her inherent village soul, begins to hang labels on everyone, which makes every interlocutor literally explode in anger. In vain they start playing at infantilism, because then they themselves get it in full. And Anya herself is too vile heroine. She hardly has Christian humility. The heroine does not know at all what decency is. She ruins families, tries to deceive people and acts like she doesn't care at all. What can she teach us? A strange question that most likely won't be answered. The impression is created that this heroine goes through the stages of growing up in a few days. She changes so much, becomes so stubborn and unyielding that there are simply no words. It might be worth it. But in fact, the impression arose that the authors wanted to tell us that she was a kind of MIRACLE-CARRIER of some special SUPER TRUTH! A sort of mixture of popular tolerance and forgiveness on the verge of modernized foolishness. Only after all, and this is mixed in such a fountain of children's fantasies in half with erupting complexes of self-assertion and becoming. Although the authors first tell us that she is an insanely sweet and kind girl, she is almost a saint person who is able to create a cozy and kind atmosphere. However, we ourselves see the excitement in her eyes, we feel how bad and callous she is inside. What kind of comfort can there be from a horse that is uncontrollable from the beginning. In my opinion, the creators went too far when they released such a heroine. They could hardly have thought about how it would all turn out. The wonderfully found texture of Anna Popova has been completely trampled and worn out by scenario delights, but it's a pity. Such a sweet, young and pure smile, such radiant eyes! And at the exit, for what ?! An illustration of how to hammer nails with microscopes? All characters in the series are deprived of any adequacy. The mothers in the project look like more hysterical aunts, and the fathers usually don't care. Relations between generations do not add up absolutely! They seem to be trying to find some kind of common language, but absolutely nothing comes of it. You look at the lives of these people and you understand how neglected everything is. How awful it is. Eh. It seems that some questions and difficulties in life are shown as if everyone around is inadequate, not understanding what is happening at all. Pregnancy and parental control issues are something with something. It is very difficult to understand from the example of this series that we have demographic problems. They are shown here as generally unsolvable. And this causes two emotions - sadness and complete misunderstanding. As a doctor, it was amazing for me to watch the medical marasmus of the series. But, apparently, "salt" TV shows with medicine and jurisprudence from a number of obligations for the philistine majority, only what can the shown show teach and push ?! "Something prevents you from believing in this Latin" (S. Zhvanetsky) I, as a viewer, hate to see such vile and spineless characters. There is not a single hero here that one could look at and say - this is character! About Anya? Dismiss, she has a very bad character, just disgusting. She uses all possible means to get what she wants. These methods are very sneaky and incredibly dirty. At the end of the series, only Mikhail Kalinin is remembered, who looks and behaves like a man and with dignity. Almost all the rest are either weak-willed conformist mattresses, or hysterical teenagers who have not grown up. That even begins to command respect unprincipled and ugly villain Klimashevsky. It is disgusting to even remember the longed-for hero of Anechka's girlish dreams, the "star Kolenka", a hysterical, twitchy, worthless, inflated neurasthenic whose male only trousers and steroid muscles. It is not clear why she is? This, you know, is not a reward, but a real punishment for the rest of your life. The terrible thing is that the authors made of heroes who, I remind you, are not so adequate, almost people with higher education and applicants for aristocratic professions. It is strange that it is precisely such not the best and outstanding people who find themselves at the top, but at the same time, for some reason, a simple girl from the village leaves them with nothing. Yes, and their behavior is simply disgusting. I was told that you can not talk with food in your mouth, chew with your mouth open, and from the sounds at the table, only the sounds of appliances on dishes are allowed, which should be as quiet as possible, which is how people eat, in contrast from devouring pigs. How to teach children not to chomp at the table against such a background ?! Or should you be glad now that your fingers are not trying to catch a piece of meat in a tureen, and does not wipe the booger freshly removed from its nose on the dinner tablecloth ?! But “gourmets” supposedly understand wines and menus, this is the “masturba” that Zadornov talks about from the stage. Sheer dismorality, sheer sadness, sheer sadism and nonsense. I don't know whether to advise or not ... most likely not, because the project does not deserve high praise. He's not exactly zero. Not the best I've seen. I put three out of ten for the illogical and weirdness of everything that happens.

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